What’s New

Piano Crawl (November 2016)

I gathered a group of 20 piano buffs at Robert Lowrey’s splendid piano showroom in Toronto for an evening in November. We divided ourselves into 5 small groups, and each group headed off to commune with a different piano I had preselected: a Bösendorfer grand, a Schimmel grand, an Estonia grand, an old Steinway grand (c. 1900), a Schimmel upright, and a Roland LX digital piano.

Each group rotated among the six instruments every 15 minutes, and afterwards we all congregated to compare notes – a lively adventure in listening, learning, and salivating over fine keyboard instruments! (About $350,000 of pianos!)

www.pianoexperts.com/our-famous-piano-workshops/

Piano Teaching Website (Sept 2016)

My new piano teaching website is now complete and launched. Web designer Jane Kidd worked patiently with me to craft something that would represent me persuasively and with élan. I could not be more pleased!

Visit www.MosePianoForAll.com

New England Summer Piano Retreat (2016)

Our 11th annual Midsummer Adult Piano Retreat in the mountains of NW Massachusetts has come and gone (July 9-16). We had a full class of 25 participants from all over, and their accolades are a tonic: “Such a magical week.” “Such a variety of musical, intelligent, cosmopolitan, and kind people.” “I had a ball.” Alison Barr, Debi Adams, and I continue to craft something bonding and distinctive.

“Such a variety of musical, intelligent, cosmopolitan, and kind people.”
2016 participant

pianoretreat.wordpress.com

“Getting Inside Classical Music” at Ryerson University’s Life Institute in February/March, 2015

I’m teaching a “Getting Inside Classical Music” six-week course in February/March of 2015 for Ryerson University’s Life Institute, for adult learners. We will focus on the basics of concert listening, using a grab-bag of musical snippets and hopefully plenty of conversation. The Life Institute is where I got my start in the classroom a decade ago: I am considered one of their expert lecturers, even though my goal is to awaken people’s own knowledge and not lecture.

To my astonishment, the registration for this course (capped at 60 participants) was filled after a week!

Music Critics’ Conference in Chicago

I was in Chicago mid-June for the annual meeting of MCANA, the Music Critics Association of N. America. There were 35 of us taking part, which is a great turnout for our little organization of under 100 members.

We had a question/answer session with general manager Anthony Freud and dramaturg Roger Pines of the Lyric Opera, and a panel discussion on the current state of the Chicago Symphony. Our private audience with famed CSO maestro Riccardo Muti – now in his 70s – found him voluble, jovial, and an old-fashioned, proud European. He led a stunning performance of Mahler’s First Symphony.

“Getting Inside Classical Music” at
Texas Music Teachers Association Convention in June

I’ve been invited to present a “Getting Inside Classical Music” listening workshop this June at the annual convention of the Texas Music Teachers Association, in Houston. It is the organization’s 100th anniversary, and they have over 2,000 members. Two thousand independent Texas music teachers! Learn more

Oral History – Verne Edquist, Canadian Piano Tuner-Technician

Verne Edquist was one of Toronto’s top piano tuner-technicians of the 1960s – 1980s. Tuning for the likes of Gina Bachauer, Arthur Rubinstein, and Victor Borge, he is most famous for his 20 years as Glenn Gould’s piano tuner. I interviewed him in his Toronto home about the arc of his life; my former student Kougar Singh handled the camera and editing work.

Each video lasts about 40 minutes. For highlights, you could listen to Part 1 starting at 4:10, about Glenn Gould. Or Part 2 starting at 8:10, about working in a 1940s piano factory. Or Part 2 from 29:10 to the close, about Verne’s ability to hear or see musical sounds as colors (synesthesia), and about his signature concert tunings.

A salute to a kind, humble and talented man!   Part 1 | Part 2

Sound Engineering/Home Audio Discussion

At the end of November veteran sound engineer William Van Ree spoke to a salon group in my home about various issues related to recorded acoustic music and home audio. William and I first worked together for fine arts station CJRT-FM in Toronto, when I was doing music commentary and he was in the control booth, while in more recent years we have produced more than a dozen CDs of customized educational materials for my listening workshops.

William grew up in Holland, playing and recording historic pipe organs for fun, and working for the Dutch audio/electronics giant Philips. Over his professional years in Toronto he has done on-site concert recording of such prominent musicians as pianist George Shearing, the Canadian Brass, and period orchestra Tafelmusik. Some of the topics we explored: perception of sound from loudspeakers; LPs, CDs, and other music storage media; compression and distortion; dynamic range; etc.